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  • Opera North’s latest powerful concert staging, Aida, to tour the UK this summer

    The latest in Opera North’s series of groundbreaking concert stagings of large-scale operas, Verdi’s Aida opens at Leeds Town Hall on Wednesday 1 May, before embarking on an extensive tour visiting the Midlands, the North and Scotland.

    The team behind the Company’s acclaimed concert staging of Turandot, Olivier Award-winning opera and theatre director Annabel Arden, designer Joanna Parker and leading conductor Sir Richard Armstrong, will reunite for Verdi’s Egyptian epic.

    Egypt is at war with Ethiopia. Aida, daughter of the Ethiopian king, has been captured by the Egyptians. Secretly, she loves an Egyptian general, Radamès, and he returns her love. When Radamès is selected to lead a renewed assault against the enemy, Aida is forced to choose between betraying her country and betraying her heart.

    Colombian soprano Alexandra Zabala takes the role of the captive princess Aida, and as her lover Radamès, Mexican tenor Rafael Rojas returns to Opera North following his highly praised Cavaradossi in last Autumn’s Tosca. American baritone Eric Greene takes the role of his adversary, Aida’s father Amonasro, King of Ethiopia, with Alessandra Volpe as Aida’s rival for the love of Radamès, the Egyptian princess Amneris.

    Finnish bass Petri Lindroos sings the High Priest Ramfis, and as the King of Egypt, Michael Druiett returns to Opera North for the first time since his Wotan in 2016’s Das Rheingold.

    Although it is best known for the grandiosity and imperialism of set pieces like the famous Triumphal March, at Aida’s heart is a web of intimate personal relationships between people caught in the crossfire of international conflict, ending with a profound prayer for peace. Its leading characters are as conflicted as the war-torn world they inhabit, and for the doomed lovers, Radamès and Aida, Verdi reserved some of his finest arias – his ‘Celeste Aida’ and her ‘O patria mia’.

    Freed from the constraints of the proscenium arch and placing the Orchestra of Opera North among the singers, Arden finds strong contemporary resonances in the opera.

    Director Annabel Arden comments:

    “Opera North’s concert stagings are so compelling because they put the singers in the same space as the audience, and the orchestra becomes the landscape of the piece. Having them centre stage is truly thrilling, as so much of the drama is in their playing.

    “Yet it’s not a concert.  The singers are inhabiting their roles fully, there is physical staging, full costume, and certainly psychological and emotional depth.

    “I’m interpreting Aida as happening in a contemporary world where war is everywhere. Aida’s emotional landscape is also a very interior one; she is very close to death and experiences exile and loss most intensely. We are surrounded by situations today which could be Aida’s. Jealousy, ambition, patriotism and family conflict are eternal human experiences, and the focus in our production will be on the characters’ relationships with each other.”

    Aida follows Opera North’s acclaimed concert stagings including the Ring cycle, winner of both the RPS Opera and Music Theatre Award and the South Bank Sky Arts Award for Opera, and Billy Budd, the first full performance of Britten’s opera at his home venue of Snape Maltings. Following triumphant tours of further concert stagings of Turandot in 2017 and last summer’s Salome, distinguished British conductor Sir Richard Armstrong returns to the podium for Aida.

    Opera North’s new concert staging of Aida opens at Leeds Town Hall on Wednesday 1 May, and tours to Royal Concert Hall, Nottingham, Sage Gateshead, Usher Hall, Edinburgh, Liverpool Philharmonic Hall, Bridgewater Hall, Manchester, Hull City Hall and Birmingham Symphony Hall.

    For more information and booking, visit operanorth.co.uk or call box office on 0113 223 3600.#

    Wed 1 May         Verdi               Aida                  Leeds Town Hall        7.00pm